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Trains Illustrated Magazine, Issue 48

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Contents Listing - Articles & Features in this issue

Trevithick's Pen-y-darren locomotive — building the replica - Replicas, or perhaps representations, of historic locomotives have been a feature of preservation developments in recent years. Graham Brown explains why the Pen-y-darren locomotive presented particular headaches to those involved with the project.
Irish steam interlude - No one who has spent a weekend on one of the Railway Preservation Society of Ireland's weekend main line tours can fail to remain immune from their special atmosphere. John S. Whiteley's photo-feature shows what it's all about.
What's left of the LSWR? - MichaelH. C. Baker takes a look at preservation in the round and tours the country to remind us what remains in locomotives, rolling stock and buildings from the London & South Western Railway.
Steam photographer — Joan Heyes - Joan Heyes, who lives near Skipton, is yet another star turn in Trains Illustrated's gallery of steam photographers.
Getting down to it - A fair description of the activities of an enterprising preservation group based on a comprehensive school in South Wales.
The Isle of Wight Steam Railway - Vectis is home to a hard-working preservation centre. Roger Macdonald reviews a decade of progress.
Rolling stock preservation report
ARPS Briefing

Cover: Midland Compound 4-4-0 No 1000 at Steamtown Carnforth. 

Article Snippets
Article Snippets
THIS issue features various initiatives in railway preservation — the building of the replica Pen-y-darren locomotive, the imaginative main line tours on 5ft 3m gauge run by the Railway Preservation Society of Ireland and projects undertaken by a school in South Wales. The keynote of all is imaginative thinking by people who have set out to do something positive, in a way that brings together individuals to produce something creative. Quite the best spirit in railway preservation, or perhaps restoration is the" operative word, has come from those who have asked 'why don't we do ...' rather than 'why doesn't someone ...' It's all too easy to leave it to somepne else, and even easier to criticise the detail of something that has been achieved. Very often, railway-restorers have found that more critical momment has derived from the colours in which locomotives or items of rolling stock are painted than there is admiration that the thing has been made to work in the first place. We well remember participating in a well-run main line steam tour, during which the patrons were treated to some excellent running, only to be at the receiving end of vehement criticism that the booked motive power had not been provided, and so the excursion was a complete waste of time. Can some of the onlookers (and non-contributing onlookers, in particular) give praise where it's due, and marvel that the show gets on the rails in the first place?

Where should railway preservation be going?
Martin Bairstow considers a realistic strategy for railway preservation schemes during the 1980s, and outlines some of the problems of running a sizeable business, as he describes it.
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